AR3VB.jpg?1?6276' alt='Celtic Frost Prototype Cars' title='Celtic Frost Prototype Cars' />DAYROX Melodic Rock, AOR, Hard Rock, Prog, Classic Rock news. Last year we featured some titles from the great Sony Music Japan campaign AOR CITY 1. AOR AC albums from their back catalog, many of them out of print or hard to find. Anvil Serial Numbers. Now the label has presented AOR CITY Series Vol. A resource for artist resin collectors that has a searchable database of finished and unfinished resins categorized by model name and artist. Play YuGiOh Ultimate Masters World Championship Online Games and many other Free Games on KBHGames. The next installment in the World Championship Tournament. The Origins of Ghost Stories at Christmas. Therell be parties for hosting Marshmallows for toasting And carolling out in the snow Therell be scary ghost stories. CSC is the worlds bestselling classic magazine, with English and French editions of the complete guide to the hobby delivered by the mostrespected writers. Celtic Frost Prototype GameTheres some little gems in these new series such a this KENNY LOGGINS Vox Humana, a lovely melodic album with that unmistakable mid 8. After Loggins Messina, KENNY LOGGINS solo carreer explored a mix of styles ranging from R B funk to Westcoast smooth poppy AOR. But then, the dividing point for Kenny was, naturally, Footloose, the blockbuster 1. Michael Omartian and David Foster, he dove headfirst into synthesizers, radio ready rock pop lite AOR, hugely layered backing vocals and chicken scratch guitars. With a polished, crystal clear production, KENNY LOGGINS released Vox Humana Latin phrase meaning human voice in 1. Totos Steve Lukather, David Paich Steve Porcaro, top AOR guitar players Tim Pierce and Michael Landau, bass guitar monster Nathan East, Mr. Misters Richard Page on harmony vocals and the stellar cast continues. No Lookin Back and Let There Be Love are two high spirited tunes with that classic R B foundation yet with a commercial patina, while Ill Be There and the sensual Loraine are flat out 8. AOR tunes with some great pumping basslines, sweet guitar work and Loggins soulful vocal instrument working the tunes on every end of the spectrum helped by a star backing vocalists. Ndrcz3mybPg/hqdefault.jpg' alt='Celtic Frost Prototype Movie' title='Celtic Frost Prototype Movie' />Occasionally, he tossed a glance back to the his previous Westcoast Im Gonna Do It Right is a nice Michael Mc. Donald song, just given a tight sequencing At Last also contains similar shimmering soft echoes but a good chunk of Vox Humana is bombastic and uptempo bright. Celtic Frost Prototype' title='Celtic Frost Prototype' />The original CD edition of Vox Humana suffered from a poor digital transfer with a very low sound signal. This remaster finally makes justice to the album compared to the 1. Wounded Bird CDs, the difference is immediate and profoundly noticable. Additionally, its nice to have for the first time the previously unreleased on CD two tracks from the Caddyshack movie soundtrack as bonus tracks. This is you chance to get a Japanese remastered edition of this true 8. The sound quality and manufacturing is excellent. HIGHLY Recommended. Youve seen it first here, at 0dayrox. Sony Music Japan SICP 5. Vox Humana. 02 No Lookin Back. Let There Be Love. Ill Be There. 05 Im Gonna Do It Right. Forever. 07 At Last. Loraine. 09 Love Will Follow. IGNATIUS DONNELLY 18311901, U. S. congressman and writer, popularized the theory that the lost continent of Atlantis was no figment of Platos imagination but a. The Rule of Three also Threefold Law or Law of Return is a religious tenet held by some WiccansPagans. It states that whatever energy a person puts out into the. A reference library for collectors of toys, models, books, props, and other Alien related items. OAFE action figure reviews buy the toys, not the hype. BONUS TRACKS 1. 0 Lead The Way from the movie Caddyshack1. Make The Move from the movie CaddyshackLead vocals Kenny Loggins. Guest Lead Vocals Sheena Easton track 5Guitars Kenny Loggins, Tim Pierce, Michael Landau, Paul Jackson, Jr., Steve Lukather, David Williams. Keyboards, synthesizers Michael Omartian, David Foster, Randy Kerber, Neil Larsen, Steve Wood, Michael Boddicker, Greg Phillinganes, Randy Waldman, David Paich, Steve Porcaro, Bo Tomlyn. Bass guitar Nathan East. Drums Tris Imboden, John JR Robinson, Michael Baird. Percussion Paulinho da Costa, Sheila ESaxophone David Sanborn. String arrangement Jeremy Lubbock track 5Backing vocals Richard Page, Steve George, El Debarge, Hamish Stuart, Sheena Easton, Marilyn Martin track 9, Donna Mc. Daniel, The Pointer Sisters, Philip Bailey, Carl Anderson, Carl Caldwell, Howard Hewett. BUY IT www. cdjapan. SICP 5. 48. 6. Read more. Johnny Robot 5 more. Christmas Spirits The Origins of Christmas Ghost Stories. CHRISTMAS SPIRITS Part I The Origins of Ghost Stories at Christmas. Therell be parties for hosting. Marshmallows for toasting. And carolling out in the snow. Therell be scary ghost stories. And tales of the gloriesof Christmases long, long agoSo sang Andy Williams back in 1. Celtic Frost Prototype 3Its the Most Wonderful Time Of The Year. And the lyric quoted above has caused much scratching of heads over the years, as not every one is aware of the old tradition of telling spooky tales upon a Christmas night. Indeed some have wondered whether the lines above are merely referring solely, in a hap hazard fashion, to Dickens A Christmas Carol. But of course theres more spectres abroad at Yuletide other than just Mr Marley and his crew. To begin with some of the finest ghost stories ever written were produced by MR James who notes in the preface to his first collection of tales, Ghost Stories of An Antiquary 1. I wrote these stories at long intervals, and most of them were read to patient friends, usually at the seasons of Christmas. And indeed from surviving diaries, letters and other items of supporting evidence we learn that famous tales of his, such as Number 1. Oh Whistle Ill Come To You and A School Story were first read aloud to friends over the festive season. Furthermore, a little earlier at the turn of the century, Henry James began his classic novella of spectral terrors, The Turn of the Screw in the following fashion which shows the old tradition in action. The story had held us, round the fire, sufficiently breathless, but except the obvious remark that it was gruesome, as, on Christmas Eve in an old house, a strange tale should essentially be, I remember no comment uttered till somebody happened to say that it was the only case he had met in which such a visitation had fallen on a child. Certainly the Christmas spirits enjoyed a veritable heyday in Victorian times. Counter Strike Source 75 Patch. Supernatural fiction as a whole was immensely popular with the Victorians. Now we tend to think of the ladies and gentlemen of that period as being stolid, stuffy types, however this is something of a fallacy. For as Matthew Sweet makes clear in his excellent book Inventing The Victorians St Martins Press 2. Victorian entertainment and popular culture was very much geared towards the concept of new sensations such as death defying acrobatics, the delights of the music halls, and new pleasures ushered in by that eras boom in technology such as magic lantern shows and the pioneering stagecraft of magicians such as John Nevil Maskelyne and David Devant. The Victorian period was an era of public crazes and fads, as the denizens of what was actually a forward thinking and visionary society eagerly lapped up a succession of new thrills. With industrial technology, making printing cheaper than ever before, literature and the pastime of reading, once the preserve of the monied classes, boomed across all sectors of society. And coupled with crazes for esoteric subjects such as spiritualism, ritual magic and all things Egyptian, it is hardly surprising that this was a golden age too for supernatural and weird fiction. In addition to an embracing attitude towards death, that to us who are uncomfortable with contemplating our own mortality, seems exceedingly morbid, it is no surprise that ghosts haunted all walks of life. For example, you may be surprised to learn that spooks and spectres were even a staple of Victorian pantomimes, alongside the traditional versions of fairy stories that are performed today. As William Makepeace Thackeray notes in his Roundabout Papers 1. Bob and I went to two pantomimes. One was at the Theatre of Fancy, and the other at the Fairy Opera, and I dont know which we liked the best. At the Fancy, we saw  Harlequin Hamlet, or Daddys Ghost and Nunkys Pison, which is all very well but, gentlemen, if you dont respect Shakespeare, to whom will you be civil The palace and ramparts of Elsinore by moon and snowlight is one of Loutherbourgs finest efforts. Considering this popularity of all things spectral and the lasting influence of A Christmas Carol, many commentators and scholars noted the role of Dickens in associating Christmas with ghosts. In the anthology collection Ghosts For Christmas Michael OMara Books Ltd. Richard Dalby notes that He began with a segment of the Pickwick Papers, The Story of the Goblins who Stole a Sexton told by Pickwicks friend Mr. Wardle of Dingley Dell, a prototype of the later full length story A Christmas Carol with the immortal and repentant Scrooge based upon the sexton Gabriel Grub. The immensely popular Christmas Numbers of Household Words and All the Year Round, both edited by Dickens, really popularised Ghosts at Christmas as an annual event in the minds of the reading public. Certainly Mr Dickens can be seen as the architect of many of the elements we most closely associate with the festive period today. For example, our idealised white Christmases, draped in snow and frost, originate with his stories about Yuletide, for while he was a child Britain suffered a mini Ice Age and hence Dickens formative Christmases were indeed white. So then it is no surprise then that many have made the claim that the link between the spectral and the festive was forged by the great writer himself. As Mr Peter Haining, in the introduction to his collection of festive chillers Christmas Spirits William Kimber Co 1. Yet despite the seeming timelessness of this tradition, it has to be admitted that the idea of creating ghosts stories especially for telling at Christmas goes back no further. Charles Dickens. And indeed, many have claimed that there is no evidence of the tradition of Christmas ghosts stories existing prior to Dickens. However like the blankets of snow, surely this association was not the invention of Mr Dickens himself but another element of Christmas he grew up with. However according to scholars there is little evidence to substantiate this theory. However some carefully searching of the shelves in my library uncovered a source that makes clear the tradition of telling strange tales of the supernatural around the Yule hearth did indeed exist well before Mr Dickens enshrined it in the Victorian Christmas. Washington Irving in his 1. The Sketch Book of Geoffrey Crayon, Gent., has his literary alter ego visit an English country house over the festive period in a section entitled Old Christmas. At one Bracebridge Hall, Crayon enjoys the hospitality of the Squire and enjoys a traditional English Christmas with all the trimmings. And amid the Christmas Day festivities is this When I returned to the drawing room, I found the company seated around the fire, listening to the parson, who was deeply ensconced in a high backed oaken chair, the work of some cunning artificer of yore, which had been brought from the library for his particular accommodation. From this venerable piece of furniture, with which his shadowy figure and dark weazen face so admirably accorded, he was dealing forth strange accounts of popular superstitions and legends of the surrounding country, with which he had become acquainted in the course of his antiquarian researches. So then we can see that Christmas ghost stories would have been a traditional pastime in Dickens childhood.